Discover releases, reviews, credits, songs, and more about Renata Tebaldi - Renata Tebaldi at Discogs. Complete your Renata Tebaldi collection. Renata Tebaldi, Carlo Bergonzi, Rolando Panerai, Nan Merriman, Gianni Poggi, Italo Tajo, Boris Christoff, Hans Beirer, Carlo Tagliabue, Petre Munteanu. Interview mit Renata Tebaldi. Sendung: Berichte vom Tage | | Uhr 4 Min. Werner Baecker interviewt die italienische.
Renata TebaldiDie italienische Sopranistin Renata Tebaldi wurde am 1. Februar als Renata Ersilia Clotilde Tebaldi und Tochter eines Orchestermusikers in Pesaro in. Renata Tebaldi hier als Celebrity auf dem Cover von TIME-Magazin. Nun also Kevin Clarke bei Renata Tebaldi zu Hause in Mailand: Ich gestehe es gleich: Seit. Interview mit Renata Tebaldi. Sendung: Berichte vom Tage | | Uhr 4 Min. Werner Baecker interviewt die italienische.
Renata Tebaldi Menu di navigazione VideoRenata Tebaldi's high notes are NOT flat!!! (F5-C6) On this IMDbrief - presented by Acura - we explain how an online premiere resulted in a multi-million dollar payday and the Sundance must-see movies to add to Farbkombination Lila Watchlist. Although the singers agreed that neither would perform encores, Tebaldi took two, and Callas was reportedly incensed. She made her operatic debut, through bombed streets in in Mefistofele, as Elena. She spent the majority of her last days in Milan. At the end of her career, she Tierarzt Dr Jeff Krank sung on 1, occasionsof which 1, were in full operas and in recitals.
She was admitted to the conservatory at the age of 17, taking lessons with Brancucci and Ettore Campogalliani ,  and later transferred to Liceo musicale Rossini in Pesaro taking lessons with Carmen Melis ,  and on her suggestion with Giuseppe Pais.
Tebaldi made her stage debut as Elena in Boito 's Mefistofele in Rovigo in ,  wartime conditions made for a difficult trip, Tebaldi partly travelling by horse cart to Rovigo, and her return trip coming under machine-gun fire.
She caused a stir when in she made her debut as Desdemona in Verdi's Otello alongside Francesco Merli as the title role in Trieste. Her major breakthrough came in , when she auditioned for Arturo Toscanini.
Toscanini was favorably impressed, calling her " voce d'angelo " voice of an angel. She was given the operatic roles of Margherita and Elena in Mefistofele and Elsa in Lohengrin in Toscanini encouraged her to sing the role of Aida and invited her to rehearse the role in his studio.
She was of the opinion that the role of Aida was reserved for a dramatic soprano, but Toscanini convinced her and she made her role debut at La Scala in alongside Mario del Monaco and Fedora Barbieri in a performance conducted by Antonino Votto.
This was the greatest success in her still young career and was to launch her international career. Her voice was used for Sophia Loren 's singing in the film version of Aida She went on a concert tour with the La Scala ensemble in , first to the Edinburgh Festival and then on to London, where she made her debut as Desdemona in two performances of Otello at the Royal Opera House and in the Verdi Requiem, both conducted by Victor de Sabata.
Tebaldi made her American debut in as Aida at the San Francisco Opera ; her Metropolitan Opera debut took place on 31 January , as Desdemona opposite Mario Del Monaco 's Otello.
One of the public's favorite Tebaldi roles is Minnie in Puccini 's La fanciulla del West. When she made her debut in the role at the Met, she was told that, as all Minnies do, she would have to enter in the 3rd act on horseback.
Tebaldi, who had a lifelong fear of horses, refused to go near the animal until she was sure he was safe. At her first rehearsal with the animal, Tebaldi approached him, patted his mane, and said, "Well, Mr.
Horse, I am Tebaldi. You and I are going to be friends, eh? She sang more at the Met and far less elsewhere. She had developed a special rapport with the Met audiences and became known as "Miss Sold Out", as the Tebaldi name on the marquee was thought to be a performance that could hardly be matched.
Puccini 's Tosca became her most performed role at the Met, playing it 45 times. She was the Leonora in La forza del destino on the night that Leonard Warren suddenly died in a performance in , and she was Adriana Lecouvreur on the night Placido Domingo made his Met debut in She made her last appearance there as Desdemona in Otello on January 8, , the same role in which she had made her Met debut eighteen years earlier and became one of her signature roles.
Her years in the Met, as well as in America, was that she became a well-loved figure by the American operatic public. Tebaldi did not became a classical temperamental diva, but trusted her own artistic instinct.
Rudolf Bing , referring to Tebaldi's demanding side, once famously said of her, "she has dimples of iron". During the early s, controversy arose regarding a supposed rivalry between Tebaldi and the great Greek-American soprano Maria Callas.
In , Tebaldi and Maria Callas were jointly booked for a vocal recital in Rio de Janeiro, Brazil. Although the singers agreed that neither would perform encores, Tebaldi took two, and Callas was reportedly incensed.
Tebaldi was quoted as saying, "I have one thing that Callas doesn't have: a heart"  while Callas was quoted in Time magazine as saying that comparing her with Tebaldi was like "comparing Champagne with Cognac.
No, with Coca Cola. Callas and Tebaldi generally sang a different repertoire: in the early years of her career, Callas concentrated on the heavy dramatic soprano roles and later in her career on the bel canto repertoire, whereas Tebaldi concentrated on late Verdi and verismo roles, where her limited upper extension  and her lack of a florid technique were not issues.
The alleged rivalry aside, Callas made remarks appreciative of Tebaldi, and vice versa. During an interview with Norman Ross in Chicago, Callas said, "I admire Tebaldi's tone; it's beautiful — also some beautiful phrasing.
Sometimes, I actually wish I had her voice. Being fully aware of the alleged rivalry, he recommended Zinka Milanov 's version.
A few days later, he went to visit Tebaldi, only to find her sitting by the speakers, listening intently to Callas's recording.
She then looked up at him and asked, "Why didn't you tell me Maria's was the best? Callas visited Tebaldi after a performance of Adriana Lecouvreur at the Met in , and the two were reunited.
In , Tebaldi spoke warmly of her late colleague and summarized this rivalry:. This rivality [sic] was really building from the people of the newspapers and the fans.
But I think it was very good for both of us, because the publicity was so big and it created a very big interest about me and Maria and was very good in the end.
But I don't know why they put this kind of rivality [sic] , because the voice was very different. She was really something unusual. Self - Soprano.
Self - Recipient. Tebaldi Mimi in 'La Boheme'. Desdemona in 'Otello'. Edit Did You Know? Trivia: After her death, her close friend Tina said: "You saw her die so many times on the stage This time, she's really gone".
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Decca , Cetra , RCA. Sito ufficiale. Adriana Lecouvreur. Giulio Cesare in Egitto. Cavalleria rusticana. La fanciulla del West.
L'assedio di Corinto. Mit dieser Rolle begann und endete ihr New Yorker Engagement. Im Jahr zog sich Renata Tebaldi vom Vortrag von Opernpartien und später aus dem öffentlichen Leben zurück.
Ihr letzter Auftritt mit einem Lied war in der Mailänder Scala. Dezember in ihrem Haus in San Marino. Ihr Repertoire umfasste u.
Bei 14 Gesamtaufnahmen italienischer Opern war dabei im Tonstudio Mario del Monaco ihr Tenorpartner , sechsmal Carlo Bergonzi.