Lawrence Kasdan. Schauspieler, Regisseur, Schriftsteller. (71 Jahre alt). Stephen Shugerman/Getty Images Entertainment/Getty Images. Filmografie. Lawrence Kasdan ist ein US-amerikanischer Regisseur, Drehbuchautor und Schauspieler. Er wurde am. Lawrence Edward Kasdan ist ein US-amerikanischer Regisseur und Drehbuchautor.
Bodyguard - Das MusicalLawrence Kasdan. Schauspieler, Regisseur, Schriftsteller. (71 Jahre alt). Stephen Shugerman/Getty Images Entertainment/Getty Images. Filmografie. Wyatt Earp [Blu-ray] von Lawrence Kasdan Blu-ray bei clearviewtaxiandlimousine.com bestellen. ✓ Bis zu 70% günstiger als Neuware ✓ Top Qualität ✓ Gratis Versand ab 10€. Lawrence Edward Kasdan ist ein US-amerikanischer Regisseur und Drehbuchautor.
Lawrence Kasdan Menu di navigazione VideoWhy Lawrence Kasdan is done with Star Wars
Lawrence Kasdan passiert mit Lawrence Kasdan. - Leben & WerkNur solange der Vorrat reicht!
Best Writing Star Wars: Episode VI - Return of the Jedi Shared with: George Lucas. Best Writing Raiders of the Lost Ark Best Writing Star Wars: Episode V - The Empire Strikes Back Shared with: Leigh Brackett.
Winner Distinguished Screenwriter Award. Nominee ACCA. Best Original Screenplay Grand Canyon Shared with: Meg Kasdan. Winner Golden Berlin Bear.
Grand Canyon Nominee Top 10 Film Award. Best Film The Accidental Tourist Tenth Place; tied with I Want to Go Home and Time of the Gypsies Winner Career Achievement Award.
Nominee DGA Award. Outstanding Directorial Achievement in Motion Pictures The Big Chill Nominee Dragon Award.
Darling Companion. Director, Screenwriter, Executive Producer. In the Land of Women. Director, Screenwriter, Producer. Director, Writer, Producer.
Home Fries. French Kiss. Mangels Anstellung wurde er Werbetexter und errang sogar den renommierten Clio Award. Mit seinem Umzug nach Los Angeles begann er Drehbücher zu schreiben.
Ursprünglich war die Rolle von Kevin Costner für Steve McQueen vorgesehen. French Kiss premiere.
Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of Lawrence Kasdan's work have you seen? User Polls Greatest Screenwriters of All Time How many times have you seen The Force Awakens?
Which Is The Most Thrilling Lightsaber Fight? Nominated for 4 Oscars. Known For. Kasdan received the highest industry recognition of his career for The Accidental Tourist , with an Academy Award nomination for best picture.
After making Silverado , he passed on The Untouchables because he didn't like the script; it was ultimately directed by Brian De Palma. Then he was offered The Accidental Tourist , a novel by Anne Tyler , and despite its surface similarities to Man Trouble —both stories are odd-couple romances with a character who trains dogs—he "fell in love with it.
In The Accidental Tourist , you have a man, Macon Leary, whose world has been shattered by the unexpected tragedy of the death of his son before the movie starts.
The world cannot be controlled, and he sinks deeper and deeper into this hole. His wife rejects him for his lack of responsiveness to the tragedy, and he takes refuge in the tightness of his world as a travel writer.
Then he meets someone who accepts chaos in the world and saves his life. Control and fear—those are very strong themes.
Anne Tyler is an unbelievable writer She's a consummate stylist. When I read the book I felt not only that it should be a movie but also that it should be a movie that doesn't violate the book.
There's not a lot of action in it, hardly anything, in fact, that Hollywood looks for. It's very slow. It's about tiny things.
It's grim. The hero has a stick up his ass. John Malkovich had been developing the project, and he hired theater director Frank Galati to write a script.
Like many of Kasdan's own stories, this one was "about creating a new family to replace a dysfunctional one," he said.
I have two sons of my own, and so the thought of Macon Leary's loss was so enormous to me that I understood his behavior completely. To me, it's not self-pity; it's devastation, and he's been incapacitated by it.
Frankly, I don't know that I would react as well as he did. Making the film, I knew he was a difficult hero. That's why I love William Hurt's performance, because he doesn't pander for a second; he doesn't ask you to like him, and he is a hard guy to like.
For the eccentric dog trainer, Muriel, Kasdan screen-tested four women:. When I looked at the screen tests, it was clear to me that Geena [Davis] was the right person to play that part.
All of her instincts were right. What little I had to tell her, she responded to very completely, fully, and quickly.
That's what you're looking for in an actor. The better the actor, the better you are as a director. The film was shot on location in Baltimore and Paris, and on the Warner Bros.
Anne Tyler drove Kasdan around Baltimore when he was scouting for locations. It won the New York Film Critics Award despite sharp criticism from several critics—including Pauline Kael , who wrote:.
The discreet, painstaking Lawrence Kasdan, who directed, and wrote the screenplay with Frank Galati, is so conscious of how he could go wrong by obtrusiveness that he hangs back.
Temperamentally, he may have a real affinity with Tyler—they both like schematic whimsy. And Macon neatly packing his suitcase is almost uncannily like the dressing of the corpse in Kasdan's The Big Chill.
But Tyler keeps perking along, while Kasdan is cautious—paralyzed. He doesn't risk dubbing in his own voice which isn't a strong one anyway.
This Accidental Tourist has no voice. In stark contrast was Andrew Sarris of The New York Observer , who took credit for being the deciding vote in the film's favor.
Sarris wrote:. What the movie does capture from its literary source are the sudden spasms of remembered pain and loss, followed by emotional redemption and regeneration.
They hardly even try to make movies like this anymore. It is said that he lacks 'passion,' whatever that means in this age of hyped-up hysteria.
Anyway, that is the whole point of this archetypal plot of the Great Awakening of a laid-back Lazarus and a Scrooge for all seasons.
That a movie could be made in these feel-good times that does not glorify one character at the expense of all the others, and provides a reasonable approximation of the ambiguities and ambivalences that bedevil us all, is enough cause for me to rejoice over The Accidental Tourist.
The textures are too specific and the humor is too quirky and well-timed to be borrowed. The filmmakers have reinvented the same story in their own terms.
What Hurt achieves here seems almost impossible: He is depressed, low-key and intensely private through most of the movie, and yet somehow he wins our sympathy.
What Kasdan achieves is just as tricky; I've never seen a movie so sad in which there was so much genuine laughter. The Accidental Tourist is one of the best films of the year.
The film earned two Golden Globe nominations for Best Motion Picture - Drama and Best Score , a BAFTA nomination Best Adapted Screenplay , and four Oscar nominations : Best Original Score composed by John Williams , Best Adapted Screenplay, and Best Picture.
Davis won an Oscar for her supporting role. It was one of the most satisfying experiences I've ever had. I'm as proud of The Accidental Tourist as anything I've done.
Kasdan wanted to do something "light and irreverent" after the grief-heavy The Accidental Tourist , and he was sent a script by John Kostmayer based on a true story out of Pennsylvania: a woman tried to kill her husband multiple times over his infidelity, he survived all attempts, she and her accomplices went to prison, and when she got out the husband forgave her and took her back.
It was the first film he directed from another writer's script, and a tonal departure for Kasdan: a black comedy with a broad performance by Kevin Kline, as pizzeria owner and serial cheater, Joey, and a straight performance by Tracy Ullman as his wife, Rosalie.
The ensemble cast included River Phoenix , Joan Plowright , William Hurt, and Keanu Reeves. The film was shot in Tacoma, Washington.
I have more regrets about I Love You to Death than anything I've done, because Kostmayer had written an odd and interesting script.
It was very funny to me, but there were things in it that were ugly. In postproduction we started sneaking [test screening] it, and most of the sneak audiences hated the movie—despised it.
They hated certain things, and I started taking those things out. We reshot the ending, added new scenes, and took out scenes that were difficult.
I wanted to make the movie more popular, and that was weak, because it got worse and worse. As a result, I've never used those sneak preview cards since.
It wasn't as if the studio was making me change things. I ruined the movie. I Love You to Death came out April 6, It is the first time Kasdan has directed from a screenplay he didn't write, and I assume he was attracted to it for the obvious reason—because it seemed all but impossible to do.
I am not sure if the film is a success because I am not sure what it is trying to do. It founders in embarrassment, but not boringly.
For the first time I was directing a film I had not written. I discovered what it must be like for an actor to try to understand the screenplay.
I had never had that. The movies had always come from out of my head. But when I was directing someone else's screenplay, I found I had to work harder to understand each day what should this scene be?
What should it sound like? What is the tone? In addition, it was not a straight movie in any way.
It's a black comedy and probably the least popular American form. One of my favorite movies of all time is Doctor Strangelove , one of the greatest movies ever made.
When it came out, it did no business. Couldn't find an audience. That's typical. There have been maybe two, three, or four black comedies that have ever been successful.
It's a form that makes Americans very uneasy. This was a movie about a wife trying to kill her husband.
Now in his 40s, with his oldest son leaving for college, Kasdan began writing a screenplay about marriage and parenting.
He said:. Seeing your children grow throws your own life into relief. They're a daily reminder that you're moving on because they're so clearly coming up from behind.
That driving lesson [in Grand Canyon ] is about more than the difficulty of making left turns in Los Angeles.
Giving your son the wheel is about letting go The screenplay, which he wrote with his wife Meg Kasdan, swelled into a larger canvas that dealt with race relations in Los Angeles and the existential crises of the era.
The actors took smaller salaries in exchange for profit participation. The score was composed by James Newton Howard , who has worked with Kasdan on every film since.
To tell that story we could draw to us all the people we most valued in our creative life. We could do the kind of thing I had done in The Big Chill.
We wrote that story very much out of our own lives and our feelings about the city and the country and race relations, about the haves and have-nots, about the possibility of joy and of pain no matter what economic situation you're in.
Abrams e Michael Arndt alla scrittura di Star Wars: Il risveglio della Forza , settimo film della saga. Ha scritto, in seguito, insieme al figlio Jon Kasdan la sceneggiatura di Solo: A Star Wars Story.